Tag archives for Christopher Nolan
The tradition continues. What began in the previous year continues through 2023. And if we’re all still alive and able to comprehend the insanity of global and domestic events next year, it will continue again. You will notice some changes to this list, as well as the next one. That’s part of the fun of continuity. As time accrues, […]
★★★ If the entire world was destroyed in 1945, at least the commies would go with it. Oppenheimer will not decisively answer the universal questions you bring with you to the big screen. To the extent I can extrapolate an answer from Christopher Nolan himself based upon the story of the film, I suspect that […]
The Best of the Century List can be found here. So begins a new tradition on V for Verbatim. Lists are fun. They’re what movie writing is all about; they’re instant conversation starters, useful catalogues that remind people “hey, this movie exists too.” But cinema has had something of a problem lately that goes beyond […]
I probably should have written this list at the very beginning of the year. 2021 wasn’t a great year in cinema, nor was the year before it. In fact, the last couple of decades have not been particularly great for cinema as an art medium nor a positive force for shaping popular culture. But since […]
★★½ Entropic inversion and square symmetry – enabling the kind of review you can read forwards or backwards. I promised to keep this review short, since Tenet did all the talking and far too much of it. So you may not need more from me than just a concept-illustrating phrase. While the Sator Square is […]
This article was originally published on the Cinematic Katzenjammer in March 2018, as the second of three parts. Part I can be found here. In Part I we talked big picture construction – heroic virtue established by resistance to nihilism, representations of fear, and the condition of the Joker. For Part II, we’re going small. […]
This article was originally published on the Cinematic Katzenjammer in March 2018, as the first of three parts. Part II can be found here. Welcome to a new feature called “Cinematic Constructions.” My aim with it is to explore shared or contrasted themes, patterns, and characters in an auteur’s filmography. We tend to notice the […]



